Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Faulkner, Quentin: J. S. Bach's Keyboard Technique: an Historical Introduction. St. Louis: Concordia, 1984. 77p. ISBN: 0-570-01326-7. | |
| 2. | Faulkner, Quentin: Griepenkerl on Bach's Keyboard Technique: A Translation and Commentary. AmerOrganist(2) 22/ 1 (Jan 1988), 63-65. | |
| 3. | Faulkner, Quentin: Jacob Adlung's 'Musica Mechanica Organoedi' and the 'Bach Organ'. Bach 21/1 (Spring 1990), 42-59. | |
| 4. | Faulkner, Quentin: Information on Organ Registration From a Student of J. S. Bach. AmerOrganist(2) 27/ 6 (Jun 1993), 58-63. | |
| 5. | Faulkner, Quentin: Information on Organ Registration From a Student of J. S. Bach. EarlyKStudNL 7/1 (1993), 1-10. | |
| 6. | Faulkner, Quentin: Die Registrierung der Orgelwerke J. S. Bachs. BachJb 81 (1995), 7-30. | |
| 7. | Faulkner, Quentin: Musica mechanica organoendi di Jacob Adlung e l''organo di Bach'. InformOrganistica 7/2 (1995), 23-30. [Jakob Adlung's Musica mechanica organoendi and the 'Bach organ'] Trans. by Pineschi, Umberto | |
| 8. | Faulkner, Quentin: Deceptive Pivot Points in J.S. Bach's Orgelbüchlein: similar passages that lead in different directions. Diapason 91/12:1081 (Dec 2000), 16-17. | |
| 9. | Faulkner, Quentin; Ritchie, George: Naumburg Organ Conference August 12-16, 2002. AmerBachSocNL (Fall 2002), 6-7. | |
| 10. | Faulkner, Quentin: Naumburg Restored! AmerOrganist(2) 36/ 2 (Feb 2002), 67-68. | |
| 11. | Faulkner, Quentin: More than meets the eye: Slurs and Metrical Ambiguities in Bach's Prelude and Fugue in E-flat (BWV 552). AmerOrganist(2) 36/10 (Oct 2002), 68-71. | |
| 12. | Faulkner, Quentin: More than meets the eye: slurs and metrical ambiguities in Bach's Prelude and Fugue in E-flat (BWV 552). OrganistsReview 89/1: 349 (Feb 2003), 18-21. | |
| 13. | Faulkner, Quentin: The registration of J. S. Bach's organ works. Colfax BC: Wayne Leupold Editions, 2008. x, 121p. ISBN: 978-1-88162-27-8. (= Organist's library) | |
| 14. | Faulkner, Quentin: The legacy of the 'Bach organ'. AmerOrganist(2) 49/3 (Mar 2015), 36-38. | |